
Grace Potter & the Nocturnals
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This Is Somewhere Reviews
- Overall Rating
- 7
This Is Somewhere
2007 | Hollywood Records- Ah Mary Lyrics
- Ain't No Time Lyrics
- Apologies Lyrics
- Big White Gate Lyrics
- Falling Or Flying Lyrics
- Here's To the Meantime Lyrics
- Lose Some Time Lyrics
- Mastermind Lyrics
- Mr. Columbus Lyrics
- Stop the Bus Lyrics
- You May See Me Lyrics
18 Sources have reviewed this album
E! Online
Source
Cleverly mixes soft-focus hip-hop, trippy space rock and Ennio Morricone-style melodrama with Albarn's unwavering pop melodies.
All Music Guide
Source
The slow rumble of Nakamura's production, Hewlett's outstanding graphic model, even Albarn himself all fuse into a convincing gestalt.
Launch.com
Source
Albarn is the melodious voice of western pop tradition throughout; at first you might think his are the barmy brains behind this band, but it's just not so. His loose-kneed vocals are like pop tarts in this bumbling hip-hop parade, but it's the bumbl
Alternative Press
Source
Whereas the Beckster tends to wriggle cheekily along to his funk, and Badly Drawn Boy does his own thing in spite of it, Gorillaz don't give a rat's ass about acting funky; they just are. [July 2001, p.68]
Nude As The News
Source
The album has its share of enjoyable tunes, and more than a couple great ones.
Magnet
Source
This secret society's sonic output is nothing short of sheer musical buggery, a hip-hop twilight realm where Dr. Octagon performs transplant surgery on Mellow Gold with the cast of Scooby Doo in the gallery. [#50, p.89]
The Onion (A.V. Club)
Source
Gorillaz is every bit as hit-or-miss as expected, but to its credit, the hits on its self-titled debut sound more impressive and infectious than the misses sound like indulgent flops.
Almost Cool
Source
It's at its best when it puts Albarn in situations that you wouldn't normally hear him in, but also stumbles occassionally with a couple tracks that feel rather tossed-off and others that feel like they could have come off a Blur b-side.
Spin
Source
What could have been hipster reach is multiculti grasp of the sweetest kind. [Jun 2001, p.148]
PopMatters
Source
A couple of tracks flounder around South of no North but as a whole Gorillaz, should be pretty pleased with what they've been able to achieve, considering the high risk concept involved.
Rolling Stone
Source
Inspired by the punky reggae parties of Sandinista!-era Clash, tracks like the dub-rap-rock mutation "Clint Eastwood" and its catchier two-step Rasta remix bring back the exuberance missing from Blur's last album, 13, while running with its anything-
HOB.com
Source
Taken only for what it is, Gorillaz is an engaging, if not entirely arresting, journey through sluggish mood rock and jazzy hip-hop. Taken for what it aspires to be, though, it's more disappointing than awe-inspiring...
Sonicnet
Source
Much of the album has the odd, rehashed sound of a Blur record produced by the Automator, but the diverse guests keep at least every other song fresh and new.
Splendid
Source
I so want to hate this album.... If only the album flat-out sucked, I'd be on much firmer ground. Too bad it doesn't.
Spin Cycle
Source
Neither Brit-pop nor hip-hop, "Gorillaz" contains a motley, dub-influenced collection of songs that are, like Hewlett's drawings, an exercise in sophisticated immaturity
Neumu.net
Source
As forward-thinking as this sounds, it just kind of makes Gorillaz an Archies/Josie & The Pussycats for the new millennium. It also makes them and their album fit in with everyone else in the progressive hip-hop canon, all of whom see fit to make sli
Village Voice
Source
It's what you might expect from a bunch of musos playing with Cubase or ProTools: sampled loops, Brixton dub, trip-hoppy tangents. U.N.K.L.E.'s bratty nephew, really, though the album sounds like the group locked the metronome on "heavy funk groove"-
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